Omas TOKYO by Ettore Sottsass, 1991

I think in many categories of consumer goods, there comes a time when technical innovation seemingly plateaus and all that is left is style. In the case of the Omas TOKYO series from 1991, I was drawn to it because of the elegant and mildly orientalist form of the golden clips, which I came across while researching the works of Ettore Sottsass, the designer behind the zany ‘Memphis’ graphic movement in the 1980s.

There are of course fountain pen models but they hold no interest for me, and so I only focus on the capped rollerball, cap knock ballpoint and mechanical pencil models. The MP in particular uses an all-metal 0.7mm Schmidt unit, so this trend of using Schmidt as the ‘universal guts’ for any pen design based around a Parker-type refill has been going on for a long, long time!

I can’t think of much else to add except that the color variants are quite muted and mature. Seen here is the ‘Lychee Nut Green’ according to the included booklet. The series was also produced in ‘Navy Blue’, ‘Classic Black’, ‘Persimmon Orange’ and ’Viridian Green’—a total of 5 colors, one for each letter in ‘TOKYO’. I hope someday to collect (at least) one of each color! :slight_smile:

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is this like the “Memphis Milano style?” that you are talking about? I live in Memphis and was unfamiliar until someone commented on my 707 video that they felt it fit that style.

I love the pocket clips on these BTW

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Am I the only one seeing that long tongue sticking out of the mustard? If I want to zone out in a meeting, I’d happily spend the whole hour just staring at it and clearing my mind.

Or maybe I’m just really, really hungry right now!

Could this mean Sottsass’s design is officially a success? I think it’s time to leave my desk and head to the kitchen to properly deal with this “issue.”

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I’ve updated my post with a link. ‘Memphis’ style… think bright poppy ‘Miami Vice’ colored geometric shapes and patterns… I might group the Pilot Palmarin in there!

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