Vintage Pencil Cleanup: The Satisfying Part, the Gold-Plating Oops, and Knowing When to Stop

From the Knockology archives

This post revisits conversations from our smaller community before we moved to this forum. I’ve brought the discoveries and memorable moments together, with credit to the members who contributed. These discussions reflect what we knew at the time. Please add any newer information, corrections, or photos below!

There’s a particularly satisfying moment when an old mechanical pencil starts looking cared for again. The grime comes away, a metal detail catches the light, and you begin to wonder how much more of its former glory is hiding underneath. Then comes the less glamorous question: how far can you go before you start removing something you wanted to keep?

That question brought @pearsonified , @Kiwi-d and me into a discussion about cleaning vintage pencils in the early Knockology days. Pearsonified had been working on corroded spots and dirty metal parts with Bar Keepers Friend. I wanted the details behind the results, including what could go wrong on an older finish.

So I asked him for something more useful than “this cleaner works great.”

I wanted to know when he used Bar Keepers Friend, how he used it, and—this was the important bit…the “worse case scenario/oopsies.”

He supplied all three.

The conversation is worth preserving because it includes enthusiasm, a practical result from another collector, and an admission that a cleaning method had also removed a finish. That’s a much more useful record than a perfectly lit “after” photograph with no explanation of what happened in between.

What Pearsonified was trying to remove

Pearsonified had been cleaning corroded spots and dirty metal parts. He described mixing the powdered cleaner with water, applying it with a cotton swab, and relying on both the cleaner and friction.

He also wiped the pieces repeatedly rather than letting moisture work its way into the barrel or mechanism. Soaking tips and caps, he said, hadn’t produced the results he’d hoped for.

Those are the details of his historical method. They aren’t a blanket recommendation for every vintage pencil, finish, or piece of plastic. Different finishes and materials can respond very differently, and this same conversation contains a clear example of a bad outcome.

The gold wasn’t staying gold

When I asked about mistakes, he didn’t dodge the question:

“My only ‘oopsies’ so far have involved cheaper, gold ‘plated’ pencils (like Morisons)”

He then described taking the finish back to chrome.

That’s the detail I most want a future reader to notice. If the intention is to preserve a gold-colored finish, removing it isn’t an especially successful restoration…even if the surface underneath becomes beautifully clean.

The lesson isn’t “scrub harder.” It’s know what you are trying to preserve as well as what you are trying to remove.

He also discussed a plastic polish he’d encountered, but said he hadn’t tried it on pencils. The prospect of removing material bothered him:

“the removal of anything other than rust or stray marks kinda…rubs me the wrong way lol”

A good pun, and a better reason to pause.

Two people asked for the photographs

I asked for before-and-after pictures. Kiwi-d asked the same thing almost immediately.

Kiwi-d: “Snap :slightly_smiling_face:”

Later that day, Kiwi-d reported cleaning two old pencils and finding the results very pleasing. He shared before-and-after images and asked the group to identify the models.

The before-and-after pair has not survived in the saved archive. Kiwi-d’s accompanying identification photo did, so we can still see the two pencils that prompted his question.


One of Kiwi-d’s surviving photographs from the cleanup discussion, showing the two pencils and their labels. This is not a before-and-after comparison. Photo: Kiwi-d.

Pearsonified didn’t know the model either, but recalled a green version. That gave the group another lead without resolving the identification.

The other cleanup story belongs beside this one

In a separate discussion, Knocktype11 described spending half an hour patiently removing tape residue from a Staedtler Retro. Eventually, he decided it had reached the “good-enough zone.”

I admitted that I’d accidentally used an industrial-strength adhesive remover on a pencil and immediately damaged the plastic.

Knocktype11 stopped when the improvement was enough. I found out, rather abruptly, how easy it is to go too far. Between those two experiences is the awkward part of cleaning vintage pencils: the unwanted residue is sitting on a finish or plastic you very much want to keep.

Nor can a cleaner replace metal that has already been lost to pitting. A surface can look much better without the underlying damage having vanished.

A record worth leaving for the next owner

My takeaway is to document the starting condition, the exact product and finish involved, what changed, and where you stopped. A tested result on one specimen is useful evidence. It becomes less useful when retold as something that is safe on everything.

If you’re unsure what the surface is, the conservative choice is to leave it alone until you have better information. An honest old finish has a lot going for it.

Knock on!

4 Likes

Very useful topic indeed. In my free time I watch vintage watch repair videos (www.youtube.com/@WristwatchRevival). I learned something very eye-opening from Marshall in watching his videos. Whenever he is cleaning the dial of an old watch, he is careful to only use water and light pressure even when the dial appears to have dirt and grime speckled throughout. What he explains, however, is that most dials are composed of different layers of enamel and other materials and that over time the different materials deteriorate and wear away at different rates, leaving a seemingly dirty surface and that if he were to use a stronger cleaning solution and start scrubbing away, that he would almost certainly cause more irreversible damage to it. The same applies to parts that have been electroplated. Usually the layer of gold is incredibly thin.

The last morsel of knowledge I’ve gained from Marshall is his appreciation of a timepiece’s patina. He often forgos a full restoration back to a sparkly and brand new-looking state and instead tries to get the watch back into working order and presentable. He goes to lengths extolling the patina of a piece, appreciating the fact that it tells a story of a cherished watch used well by someone else, with a whole life of its own. Oftentimes he is receiving a job from someone who had received a watch as a hand-me-down from relative who had passed or from someone who intends to gift it to someone else in their family, so he tries to preserve the worn look of the watch and in turn, preserving its provenance.

I think these are two important insights that definitely apply to any vintage item, but especially mechanical pencils. Be careful with how you clean things and ask yourself if it’s worth cleaning. The patina of a piece usually points to a tool that has been well-loved by someone. Let your imagination fill in the blanks if you don’t have the full story.

4 Likes

Yes, it’s super important to understand what you are trying to clean off, and what the underlying substrate is. It’s quite easy to damage, i.e. remove, thin metal coatings, or plastic components, particularly vintage plastics as many of them may have started to deteriorate from age.

3 Likes